Universities Art Association of Canada

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Title DOI
https://doi.org/10.1136/bmjopen-2022-069699 Clinical and economic impact of a community-based, hybrid model of in-person and virtual care in a Canadian rural setting: a cross-sectional population-based comparative study
https://doi.org/10.7202/1078066ar The Feminist Consciousness Raising Circle as Pedagogical Form in Suzanne Lacy and Julia London’s Freeze Frame (1982)
https://doi.org/10.7202/1042944ar Déni et ignorance de l’historicité autochtone dans l’histoire de l’art occidentale
https://doi.org/10.1016/0166-445x(83)90020-6 Sublethal effects of treated liquid effluent from a petroleum refinery. III. Avoidance and other locomotor responses of rainbow trout
https://doi.org/10.7202/1050820ar An Other North: The Arctic Circle Summer Solstice Expedition 2017
https://doi.org/10.7202/1070580ar “Good Willed Inertia”: Radicalizing the Lazy Academy
https://doi.org/10.7202/1073938ar Sweeping the Meydan: Home and Religious Ceremony Amongst the Alevis
https://doi.org/10.1016/0166-445x(83)90025-5 Sublethal effects of treated liquid effluent from a petroleum refinery. IV. Respiratory movements and coughing of rainbow trout
https://doi.org/10.7202/1037556ar Onward! Canadian Expansionist Outlooks and the Photographs that Serve Them
https://doi.org/10.7202/1040851ar Viviane Gosselin and Phaedra Livingstone, eds., Museums and the Past: Constructing Historical Consciousness, Vancouver: ubc Press, 2016, 299 pp. $ 95 cloth isbn 9780774830614 $ 34.60 paper isbn 9780774830622
https://doi.org/10.7202/1040842ar Shundana Yusaf, Broadcasting Buildings: Architecture on the Wireless, 1927–1945, Cambridge, ma: mit Press, 2014, 352 pp. 77 b&w illus., $ 30.95 hardcover isbn 9780262026741 $ 21.95 eBook isbn 9780262321624
https://doi.org/10.7202/1040852ar Félix Nadar, When I Was a Photographer, trans. Eduardo Cadava and Liana Theodoratou. Cambridge, MA, and London, UK: MIT Press, 2015. 336 pp., $ 25.95 cloth ISBN 9780262029452 $ 18.95 eBook ISBN 9780262330701
https://doi.org/10.7202/1042947ar Archival Predecessors and Indigenous Modernisms: Archives in Contemporary Curatorial Practice on the Northwest Coast
https://doi.org/10.7202/1050833ar Andrea Kunard, Photography in Canada 1960–2000, Ottawa: National Gallery of Canada, 2017, 175 pp. 179 colour and b/w illus. $ 49.00 (paper) ISBN 9780888849489
https://doi.org/10.7202/1050816ar Lora Senechal Carney Receives the 2017 UAAC Recognition Award
https://doi.org/10.7202/1054399ar Paul O’Neil, Mick Wilson, Lucy Steeds, eds., How Institutions Think: Between Contemporary Art and Curatorial Discourse, Cambridge, MA: The MIT Press, 2017, 248 pp. 100 b/w illus, $ 34.95 (paper) ISBN 9780262534321
https://doi.org/10.7202/1062149ar Modelling Sanctity: The Curious Case of Pierre Puget’s St. Alessandro Sauli
https://doi.org/10.7202/1062155ar Eli Lotar and Jacques-André Boiffard aboard the Exir Dallen
https://doi.org/10.7202/1062164ar Diana Newall, ed., Art and Its Global Histories: A Reader, Manchester: Manchester University Press in association with the Open University, 2017, 344 pp. 17 b/w illus., 4 graphs £ 17.99 (paper) ISBN 9781526119926
https://doi.org/10.7202/1062165ar John Leroux and Thaddeus Holownia, A Vision in Wood & Stone: The Architecture of Mount Allison University, Kentville, NS: Gaspereau Press Ltd, 2016, 234 pp. $ 65.95 (hardcover) ISBN 9781554471409
https://doi.org/10.7202/1068330ar Erin Manning et Brian Massumi, Pensée en acte : vingt propositions pour la recherche-création, Dijon : Les presses du réel, 2018, 135 pp. (relié) 12 € ISBN 9782378960391
https://doi.org/10.7202/1070581ar « L’inertie bienveillante » : la radicalisation de l’académie paresseuse
https://doi.org/10.7202/1070578ar Nuit électrique : atmosphères lumineuses à Montréal au XIXe siècle
https://doi.org/10.7202/1070595ar Shame and Prejudice: A Story of Resilience, McCord Museum, Montréal, February 8 to May 5, 2019, Curated by Kent Monkman
https://doi.org/10.7202/1070590ar Mark Salber Phillips and Jordan Bear, eds., What Was History Painting and What Is It Now?, Montreal & Kingston: McGill-Queen’s University Press, 2019, 311 pp. 74 colour illus. $ 135 (cloth) ISBN 9780773558953 $ 44.95 (paper) ISBN 978077355860
https://doi.org/10.7202/1069556ar Ingrid Mary Percy
https://doi.org/10.7202/1069729ar Hommage à Raymond Klibansky
https://doi.org/10.7202/1073957ar Ken Lum, Everything is Relevant: Writings on Art and Life, 1991–2018, Montreal: Concordia University Press, 2020, 320 pp. 48 b/w and 12 colour illus. $ 54.95 (paper) ISBN 9781988111001
https://doi.org/10.7202/1078068ar Impressionism and Imperialism in Maurice Cullen’s African River
https://doi.org/10.7202/1078073ar Jacquelyn N. Coutré, with Piet Bakker, Janet M. Brooke, and Stephanie S. Dickey, Leiden circa 1630: Rembrandt Emerges, Kingston: Agnes Etherington Art Centre, 2019, 359 pp., colour illus., $30.00 (paper) ISBN 9781553394198
https://doi.org/10.7202/1078081ar Anthony W. Lee, The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China, Montreal and Kingston: McGill-Queen’s University Press, 2019, 344 pp., 193 colour illus., $55.00 (cloth) ISBN 9780773557130
https://doi.org/10.7202/1078080ar Phillip Spectre, Richard Hamilton: Introspective, Köln: Walther König, 2019, 408 pp., 540 colour and b/w illus., $110.00 US (cloth) ISBN 9783883756950
https://doi.org/10.7202/1078075ar François-Marc Gagnon, Jean Paul Riopelle and the Automatiste Movement, trans. Donald Winkler Montreal and Kingston: McGill-Queen’s University Press, 2020, 212 pp., 90 illus., $49.95 (hardcover) ISBN 9780228001157
https://doi.org/10.7202/1078070ar John O’Brian, The Bomb in the Wilderness: Photography and the Nuclear Era in Canada, Vancouver: UBC Press, 2020, 244 pp., 124 photos, 20 in colour, $32.95 (paperback) ISBN 9780774863889 Claudette Lauzon, John O’Brian, eds., Through Post-Atomic Eyes, Montreal and Kingston: McGill-Queens University Press, 2020, 496 pp., 158 colour photos, 3 maps, $49.95 (cloth) ISBN 9780228001393
https://doi.org/10.7202/1078067ar “She entered a room like a self-portrait”: Duration and Unfinish in Pegi Nicol MacLeod’s Self-Portraits
https://doi.org/10.7202/1085439ar Charlotte Guichard, La griffe du peintre. La valeur de l’art (1730-1820), Paris, Seuil, Coll. « L’Univers Historique », 2018, 368 pp. 98 illus. n&b et couleur, € 31 (relié) ISBN 9782021402315
https://doi.org/10.7202/1085434ar Nina Amstutz, Caspar David Friedrich: Nature and the Self, New Haven: Yale University Press, 2020, 280 pp. 82 color and 36 b/w illustrations, $ 65 US (hardcover) ISBN 9780300246162
https://doi.org/10.7202/1073151ar Editorial Statement
https://doi.org/10.7202/1073705ar RACAR
https://doi.org/10.7202/1091821ar From Activism to Artistic Practice: (Re)imagining Indigenous Women’s Labour Activism in Contemporary Art
https://doi.org/10.7202/1091820ar Se souvenir du féminicide de l’École Polytechnique (1989). Traverser l’espace, recomposer le passé
https://doi.org/10.7202/1091833ar Andréanne Roy, Jacques Des Rochers et Yseult Riopelle, dir., Riopelle : À la rencontre des territoires nordiques et des cultures autochtones, Montréal, Musée des beaux-arts de Montréal ; Milan, 5 Continents Éditions, cat. d’exposition, 2020, 285 pp. illustrations princip. en couleur $ 54.95 ISBN 9782891924283
https://doi.org/10.7202/1106652ar UAAC AWARDS 2022
https://doi.org/10.37951/2358-260x.2024v11i1.7246 USE OF PASSION FRUIT PEEL FLOUR IN THE MANUFACTURING OF LOAF BREAD
https://doi.org/10.7202/1114507ar UAAC Awards
https://doi.org/10.7202/701076ar Le rôle du Canada dans le développement du droit en matière de conflit armé