Publications in OpenAlex of which a co-author is affiliated to this organization
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All publications [Next]
| Title | DOI |
|---|---|
| https://doi.org/10.1145/3388536.3407896 | The Book of Distance: Personal Storytelling in VR |
| https://doi.org/10.1111/jocs.14939 | Learning curve predictors for minimally invasive mitral valve surgery; how far should the rabbit hole go? |
| https://doi.org/10.1145/3450615.3464538 | Agence, A Dynamic Film about (and with) Artificial Intelligence |
| https://doi.org/10.1109/memc.2014.6849554 | EMC standards activity |
| https://doi.org/10.5594/j01215 | Stereographic Animation: The Synthesis of Stereoscopic Depth from Flat Drawings and Art Work |
| https://doi.org/10.5594/j01177 | Dual-Purpose Optical Sound Prints |
| https://doi.org/10.1007/978-1-4614-1074-4_1 | Introduction |
| https://doi.org/10.32920/23302199.v1 | Mediated Landscapes: Technology and Environment in Recent Canadian Cinema |
| https://doi.org/10.5594/j03670 | International Report: Retirement can Be a Profitable Pastime |
| https://doi.org/10.1145/3306307.3328142 | Bone mother |
| https://doi.org/10.1117/12.524495 | <title>MPEG-7 audio-visual indexing test-bed for video retrieval</title> |
| https://doi.org/10.5594/j12613 | Synthetic Sound on Film |
| https://doi.org/10.5594/j05271 | Standards and New Technology Strategies to Preserve Content on Magnetic and Disc Media |
| https://doi.org/10.5594/j03880 | Sound Genie™ — An Automated Digital Sound Effects Library System |
| https://doi.org/10.5594/j04854 | Plotting Device for the Animation Stand |
| https://doi.org/10.5594/j02691 | The Brain™: A Multi-Axis, Location/Studio Camera/Subject, Robotic Motion-Control System |
| https://doi.org/10.5594/j14256 | Developments at the National Film Board of Canada, 1939–44<!--<xref ref-type="other" rid="fn1-10.5594_J14256">*</xref>--> |
| https://doi.org/10.1117/12.967708 | <title>"Zea"-Because It's There</title> |
| https://doi.org/10.1249/00005768-199405001-01002 | 1000 CENTRAL FATIGUE DURING +Gz STRESS? |
| https://doi.org/10.1145/2503541.2503624 | Subconscious password |
| https://doi.org/10.1145/1596685.1596810 | The spine |
| https://doi.org/10.5594/j16378 | A Vision toward Self-Renewing Intelligent Thin Film Media and Modular Storage Systems |
| https://doi.org/10.5594/j05028 | Film Production Principles—The Subject of Research |
| https://doi.org/10.5594/j14479 | Sound Recording Facilities in Canada's Newest Film Studio |
| https://doi.org/10.3138/jcs.18.3.144 | Days in the Dark, Nights Alight: Canadian Images ’83 and Film Festivals as Art |
| https://doi.org/10.2307/j.ctv6gqrjw | The Documentary Art of Filmmaker Michael Rubbo |
| https://doi.org/10.4000/coma.2898 | Heart of Darkness, extraits du scénario d’Orson Welles |
| https://doi.org/10.1163/23523085-00203007 | Silk Parachutes |
| https://doi.org/10.18680/hss.2019.0017 | The war film as moral space |
| https://doi.org/10.5594/j02963 | Calendar |
| https://doi.org/10.5281/zenodo.4008070 | Handbook for resource and energy efficiency in forest-based industries of Eastern Europe. A practical guide on how to improve cleaner production in woodworking SMEs. RERAM report D6.3. English version |
| https://doi.org/10.4000/1895.8764 | Victor Oscar Freeburg, l’Art de faire des films |
| https://doi.org/10.32920/23302199 | Mediated Landscapes: Technology and Environment in Recent Canadian Cinema |
| https://doi.org/10.5864/d2024-021 | Enhancing indoor air quality in ice arenas: Insights from a survey of operators |
| https://doi.org/10.1145/3721243.3735989 | Painting with 3D Gaussian Splat Brushes |
| https://doi.org/10.1145/3698896.3722209 | Animation Theater In Conversation: Inkwo for When the Starving Return |
| https://doi.org/10.1145/3698896.3722211 | Corpus and the Wandering |
| https://doi.org/10.1007/978-3-032-10166-2_14 | Mental Health First Aid Certification to Build Capacity in Black, Caribbean, and African Communities |
| https://doi.org/10.61353/ma.0210001 | الجهات الفاعلة غير الحكومية وحلول المياه المشتركة |