Publications in OpenAlex of which a co-author is affiliated to this organization
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| Title | DOI |
|---|---|
| https://doi.org/10.1111/j.1600-0501.2010.02069.x | Influence of space-filling materials in subantral bone augmentation: blood clot vs. autogenous bone chips vs. bovine hydroxyapatite |
| https://doi.org/10.1080/02640414.2015.1085077 | Lumbopelvic motor control and low back pain in elite soccer players: a cross-sectional study |
| https://doi.org/10.1111/clr.12986 | Impact of biomaterial microtopography on bone regeneration: comparison of three hydroxyapatites |
| https://doi.org/10.1136/bjsports-2021-104595 | Association between SARS‐COV‐2 infection and muscle strain injury occurrence in elite male football players: a prospective study of 29 weeks including three teams from the Belgian professional football league |
| https://doi.org/10.3109/1354750x.2015.1123363 | Soluble biomarkers development in osteoarthritis: from discovery to personalized medicine |
| https://doi.org/10.1080/07853890.2023.2198776 | Impact of (long) COVID on athletes’ performance: a prospective study in elite football players |
| https://doi.org/10.1016/j.jenvman.2017.03.022 | Comparative life cycle cost assessment of painted and hot-dip galvanized bridges |
| https://doi.org/10.1080/09537104.2019.1595563 | Platelet-rich plasma (PRP) and tendon healing: comparison between fresh and frozen-thawed PRP. |
| https://doi.org/10.1111/vaa.12071 | Anaesthetic induction with alfaxalone may produce hypoxemia in rabbits premedicated with fentanyl/droperidol |
| https://doi.org/10.1183/13993003.congress-2018.oa2119 | Sputum exosomal microRNAs in IPF |
| https://doi.org/10.1111/j.1600-0501.2011.02412.x | The effect of collagenated space filling materials in sinus bone augmentation: a study in rabbits |
| https://doi.org/10.3917/rdna.831.0131 | L’armée belge face au Covid-19 : le choix de la sémantique |
| https://doi.org/10.1177/10298649980020s106 | Wagner “Alte Weise”: Une approche perceptive |
| https://doi.org/10.1177/102986490000400204 | The Musical Work as Discourse and Text |
| https://doi.org/10.3917/etth.050.0135 | Réel, fiction, hallucination : le combat avec l’ange |
| https://doi.org/10.1007/978-3-319-73921-2_6 | Math and Music: Slow and Not For Profit |
| https://doi.org/10.1007/978-3-319-73921-2_17 | We’re (Not) Only in It for the Money (Frank Zappa): The Financial Structure of STEM and STEAM Research |
| https://doi.org/10.18352/bmgn-lchr.10727 | Rudolf Rasch, Muziek in de Republiek. Muziek en maatschappij in de Republiek der Zeven Verenigde Nederlanden 1572-1795 |
| Le théâtre comme média de prévention de la radicalisation: évaluation du projet «Nadia» | |
| An examination of Philippe Hurel’s Loops II | |
| Barthold Kuijken: confessions of an autodidact | |
| https://doi.org/10.1080/07494468900640231 | On form as actually experienced |
| Hendrik Conscience als operalibrettist: van ‘De pelgrim in de woestyn’ tot De dichter en zijn droombeeld | |
| https://doi.org/10.4000/textyles.552 | De la musique pour écrits vains |
| https://doi.org/10.18352/bmgn-lchr.1669 | M.L. Fanchamps, Recherches statistiques sur le problème annoraire dans la principauté de Liège de 1475 à la fin du XVIe siècle: tendances, cycles, crises |
| Production théâtrale : naissance d'une formation et d'une profession - Analyse de l'activité à l'épreuve des pratiques artistiques | |
| https://doi.org/10.3917/rdna.782.0120 | Le remplacement des F-16 belges : la dimension nucléaire |
| https://doi.org/10.5117/forum2017.1.voet | Meditatie op de rand van de wereld. |
| https://doi.org/10.5117/forum2017.1.brou | Midzomernachtsdroom - Een jubileumvoorstelling van de KNS als aanloop naar een 'nieuwe stijl' |
| https://doi.org/10.5117/forum2017.1.dewi | Gevonden! Vier partituren, vijf (?) composities van Gaspare Spontini |
| Autophagy I (I am a recording instrument) | |
| https://doi.org/10.1177/10298649000040s114 | De l'incidence du contexte dans un système pentatonique anhémitonique |
| AUTOPHAGY II: Mikrophobie | |
| https://doi.org/10.21825/hctd.87776 | RAPPORT sur les travaux de la Commission en 1934 |
| https://doi.org/10.3917/musur.171.0025 | L’analyse musicale : un outil au service de la créativité et de l’intelligence artistique |
| https://doi.org/10.1093/nq/s12-iii.73.445f | Anthony Sorel: Anna Quartermaine |
| LA CRÉATION DANS L’INCONFORT : L’EXPÉRIENCE THÉÂTRALE POUR ET PAR LES MIGRANTS SANS PAPIERS DE LIÈGE | |
| https://doi.org/10.3917/etth.034.0050 | Contenus et objectifs des Humanités artistiques - théâtre |
| https://doi.org/10.3917/rdna.813.0116 | La coopération militaire belgo-française : oscillations politiques et identitaires |
| https://doi.org/10.3917/rdna.810.0111 | La nouvelle Nuclear Posture Review : évolution ou révolution ? |
| https://doi.org/10.3917/rdna.830.0085 | La dimension plurielle du phénomène de radicalisation djihadiste violent |
| Weiss - Quantz/Blockwitz/Braun ... Bach? | |
| Concert: Works of Robert Schumann from the period 1838-1839 on piano | |
| concert : R.Schumann Blumenstuck and Noveletten 4-8 on modern piano | |
| Lecture-demonstration at the University of Torino (Italy) | |
| Lecture-recital: music on poetry of R.M. Rilke | |
| Pierluigi Billone: Works for Percussion | |
| Heidi Moyson en Ellen Kempers, interview: Samenwerking met de BAD-sector kan tot vruchtbare dingen leiden | |
| Performance of the opera 'House of the Sleeping Beauties' | |
| flute Masterclass in the Festival dei Fiati, Novara (Italy) | |
| First performance of 'Ludus' | |
| Entry "Sellner, Joseph" | |
| Composition: Nevristec, per Quartetto d'Archi (11min) 2006 | |
| Imagine a mental approach to marimba playing | |
| First performance of 'Everything new!' | |
| Concert: 'Hungarian Music and fractals' | |
| concert : R.Schumann : Noveletten 1-4 and Nachtstucke on modern piano | |
| Workshop and Concert at University of Victoria, British Columbia, Canada | |
| P-Trains: music boxes | |
| P-Trains: graphic score | |
| Rhapsodie for alto saxophone and orchestra - Claude Debussy | |
| Annotation of Metamorphosis III of Kee-Yong Chong | |
| Trobadors toonmoment (concert) 'The Royal Brussels Hornsound. Research to Flemish Romantic music on period instruments' | |
| Recital for two flutes and basso continuo | |
| Concert: La chute de la maison Usher, music for the silent movie by Jean Epstein (1928), for full Orchestra | |
| French baroque Orchestral Music | |
| DVD recording of "Liever misschien dan alleszins" van Frans Geysen | |
| Concert: Nevristec, per Quartetto d'Archi (11min) 2006 | |
| Concert: Geist hab' Un-eft | |
| Lecture-recital: 'Een veel te weinig bekend aspect van de harmonie bij Debussy' | |
| Dans is nooit af | |
| Bach A major mass and triple concerto | |
| Lecture: 'De notatie is niet de muziek' | |
| Dmitri Shostakovitch, Concertos for cello and Ochestra opus 107 & 126, Sonatas for cello and Piano opus 40 & 147 | |
| First performance of 'Concerto Triplo' | |
| Lecture: ''Meaningful analysis' and Rhetorics' | |
| concert in Arsenal, Metz (france) | |
| concert: Vivaldi flute concerti | |
| Edouard Lalo, Symphonie espagnole, opus 21, Concerto russe, opus 29 [booklet of the recording by violinist Yuzuko Horigome, Orchestre Philharmonique de Nice with conductor Marco Guidarini] | |
| ‘WOLRAUPIER (probably) = WOLHAVPTER – or how an instrument maker changes name after c.150 years’ | |
| Information Sources and Searching Strategies. | |
| Masterclass, Interpretation of baroque music on modern instruments | |
| J. S. Bach's Flute Sonatas: Facts and Fiction - the Unanswered Questions | |
| De politieke dimensie van muziek in de beginjaren van de radio. Case: het Nationaal Radio Instituut en de Katholieke Vlaamse Radio Omroep (1929-1934). | |
| Pianist Jan Michiels over zijn doctoraat in de Kunsten | |
| National Report Belgium 2008 | |
| Concert: E.C.Draw for Cornelius | |
| DVD recording of 'Treize couleurs du soleil couchant' of Tristan Murail | |
| Composition: Edokaste, for Cello and Piano | |
| Radiorecording: Sinfonia 3 "Erinnerung", tribute to Luciano Berio & Ludwig von Beethoven, for String Quartet, Ensemble and Live Electronics (12 min) 2008 | |
| Concert performance as soloist and artistic director with il Gardellino | |
| First performance of 'Epona' | |
| Paul Collaer (1881-1989) en de revival van de oude muziek tijdens het interbellum in Brussel | |
| 'Imagine' une approache mentale vers le jeu du marimba | |
| Imagine une approche mentale vers le jeu du marimba | |
| Lecture: 'Baroquery: its Problems, Attitudes and Pitfals' | |
| hungarian-bohemian rhapsody | |
| Composition: E-isme | |
| CD textbook: The flute sonatas of George Frederic Handel | |
| solorecital baroque flute |