Publications in OpenAlex of which a co-author is affiliated to this organization
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| Title | DOI |
|---|---|
| https://doi.org/10.7202/1018583ar | The Theory and Practice of Integrating Invertible Counterpoint into Classical Theme-Types |
| https://doi.org/10.7202/1014421ar | Violet Archer's Formative Years: A Bibliographical Catalogueof Her Compositions, 1932–43 |
| https://doi.org/10.7202/1013833ar | Situation de la synthèse sonore par ordinateur |
| https://doi.org/10.7202/1013826ar | Analyzing Spectra That Won't Stand Still |
| https://doi.org/10.7202/1013894ar | Le chant de Kathinka |
| https://doi.org/10.2307/3392504 | Ode to the nightingales, lament for the parrots |
| https://doi.org/10.7202/1013749ar | Healey Willan's Quest for a String Quartet |
| https://doi.org/10.7202/1014035ar | Petrouchka : unité et dualité |
| https://doi.org/10.7202/1013739ar | Reflections on the First Movement of Berg's Lyric Suite |
| https://doi.org/10.7202/1014293ar | Heinrich Schütz's Musikalische Exequien: Evidence of Influence |
| https://doi.org/10.7202/1013893ar | Claude Vivier, en mémoire, en présence |
| https://doi.org/10.7202/1013899ar | Glossolalie : œuvre ouverte |
| https://doi.org/10.2307/3394395 | Stravinsky's Poetics: Dialogue of Music and Lifestyle |
| https://doi.org/10.7202/1014784ar | Une nouvelle découverte à Montréal dans la bibliothèque musicale de Jean Girard : des œuvres vocales rares de Lebègue, de Bacilly et de Du Mont |
| https://doi.org/10.7202/1013940ar | Le répertoire d’opéras du XX siècle des scènes de langue allemande entre 1925 et 1930 : étude statistique |
| https://doi.org/10.7202/1013908ar | Neo-Tonality or Neo-Atonality?: I Waited Patiently for the Lord by Gerald Bales |
| https://doi.org/10.7202/1013903ar | Speeches for Dr. Frankenstein: An Orchestral Approach to Music Synthesis |
| https://doi.org/10.7202/1014106ar | Musica in Absentia: Bishop's Faculty of Music, 1866-1947 |
| https://doi.org/10.7202/1014032ar | Répertoire des travaux universitaires sur la musique du Québec (1924–1984) |
| https://doi.org/10.1111/j.1478-1913.1923.tb01925.x | ANNO DOMINI 1923 |
| https://doi.org/10.7202/1014039ar | Tomás Luis de Victoria's Second Thoughts: A Reappraisal |
| https://doi.org/10.7202/1013941ar | Un modèle du processus de composition musicale |
| https://doi.org/10.7202/1014033ar | Art mélodique et techniques de composition chez Massenet : exemple de la fonction diachronique du paradigme |
| https://doi.org/10.7202/1014037ar | The Refugee Composer in America: A Topic for Twentieth-Century Music History |
| https://doi.org/10.7202/1013905ar | Stravinsky and C.-F. Ramuz: A Primitive Classicism |
| https://doi.org/10.7202/1014038ar | Medieval Polyphony in a Cividale Manuscript |
| https://doi.org/10.7202/1018579ar | Relire Ingarden : l’ontologie des oeuvres musicales, entre fictions et montagnes |
| https://doi.org/10.7202/1014521ar | Franz Joseph Haydn and the Five-Octave Classical Keyboard: Registral Extremes, Formal Emphases and Tonal Strategies |
| https://doi.org/10.7202/1014399ar | Introduction to Man and Music/Music and Society Series |
| https://doi.org/10.7202/1013912ar | Johann Kuhnau. Six Biblical Sonatas. Hilda Jonas: Harpsichord. Sanjo-Music HJ 1004-1, 2, 3, 4 (1982) |
| https://doi.org/10.25071/1708-6701.1336 | Index to CAML Review, Volume 31 |
| https://doi.org/10.25071/1708-6701.2427 | Index to CAML Review / Revue de l'ACBM, vol. 33 |
| https://doi.org/10.7202/1014098ar | Poirier, Lucien, ed. The Canadian Musical Heritage: Organ Music I / Musique d'Orgue I, Vol. 4, Ottawa: The Canadian Musical Heritage Society, 1985 |
| https://doi.org/10.33233/fb.v7i1.1857 | Risco de trombose venosa profunda em pacientes traumato–ortopédicos hospitalizados |
| https://doi.org/10.7202/1015118ar | Éditorial |
| https://doi.org/10.7202/1014080ar | "Spells": Jack Behrens: Fiona's Flute. Dialogue. Peter Racine Fricker: Two Spells for Solo Flute. Ballade for Flute and Piano, Op. 68. Bagatelles for Clarinet and Piano, Op. 83. Jack Behrens, piano; Robert Riseling, clarinet; Tsuyoshi Tsutsumi, violoncello; Fiona Wilkinson, flute. Orion Master Recordings ORS 83455 |
| https://doi.org/10.7202/1014617ar | Ramón Pelinski, édit., Tango nomade : études sur le tango transculturel. Montréal : Tryptique, 1995. 469 p. ISBN 2-89031-227-5. Glossaire, bibliographie, discographie, index. Collaborateurs : Enrique Cámara de Landa, Xavier Febrés, Patrícia Gabancho, Béatrice Humbert, Shuhei Hokosawa, Jorge Luis Lombardero Menéndez, Pierre Monette, Mario Paoletti, Ramón Pelinski, William Schimmel, Pablo Vila et Susana Weich-Shahak |
| https://doi.org/10.7202/1014070ar | Nikolaus Harnoncourt. Le discours musical. Pour une nouvelle conception de la musique. Traduit de l’allemand par Dennis Collins. Paris : Gallimard, 1984. (Musik als Klangrede. Wege zu einem neuen Musikverständnis, Residenz Verlag, Salzburg und Wien, 1982) 298 pp., ex. musicaux |
| https://doi.org/10.7202/1013313ar | Jean-Jacques Nattiez, dir., avec la collaboration de Margaret Bent, Rossana Dalmonte et Mario Baroni. Musiques, une encyclopédie pour le XXI siècle. Volume 1, Musiques du XX siècle. Arles : Actes Sud; Paris: Cité de la Musique, 2003. v, 1492 p. ISBN 2-7427-4204-2 (couverture rigide) |
| https://doi.org/10.7202/1014072ar | Anton F. Kolstee. Bella Coola Indian Music : A Study of the Interaction between Northwest Coast Indian Structures and their Functional Context. 2 vols. Service Canadien d’ethnologie, dossier No. 83. Ottawa : Musée National de l'Homme, 1982. x, 274 pp., musique, illus., bibliographie |
| https://doi.org/10.1097/00000446-195709000-00029 | Prophylaxis of Ophthalmia Neonatorum |
| https://doi.org/10.7202/1014836ar | Fernand Ouellette. Edgard Varèse. Édition revue et augmentée par l’auteur, précédée de « Varèse, l’exception » et suivie d’une bibliographie et discographie entièrement remise à jour par Louise Hirbour. Paris : Christian Bourgois éditeur, Collection Musique/Passé/Présent, 1989, 343 p. |
| https://doi.org/10.1177/003932070103100108 | The United Church of Canada Celebrates God's Presence |
| https://doi.org/10.1093/oxfordhb/9780199356157.013.53 | A Jazz Funeral in Music Education |
| REKONSTRUKCIJA ANAKSIMANDAROVA BIOLOŠKOG MODELA RAZOTKRIVA TEORIJU EVOLUCIJE SRODNU DARVINOVOJ, IAKO STOLJEĆIMA PRIJE ROĐENJA ZNANOSTI | |
| https://doi.org/10.5897/ajhc2014.0240 | The Breton Lai as protest, mirror and proverb |
| https://doi.org/10.2307/3394159 | The Ethnomusicologist |
| https://doi.org/10.7202/1038946ar | Opus sorabjianum : les joies et les souffrances d’un biographe |
| https://doi.org/10.7202/1038942ar | Fonctionnalisme technologique en musique |
| https://doi.org/10.7202/1014199ar | Juliette Bourassa-Trépanier et Lucien Poirier, dir. Répertoire des données musicales de la presse québécoise, Tome 1 : Canada, volume 1 : 1764-1799. Québec : Presses de l’Université Laval, 1991, 273 pp. |
| https://doi.org/10.7202/1013740ar | Record Review. David Keane: Lyra. Music Gallery Editions MGE 29 (1979). (Available from: Music Gallery Editions, 30 Saint Patrick Street, Toronto, Canada M5T 1V1.) |
| https://doi.org/10.1017/9781787442573.005 | Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) |
| https://doi.org/10.1093/oxfordhb/9780190658441.013.39 | The Many Musical Medievalisms of Disney |
| https://doi.org/10.29173/bluejay4326 | Bay-Breasted Warbler Nesting in Saskatchewan |
| https://doi.org/10.7202/1071678ar | Fragments from a Broken Country: Jérôme Blais, in Discussion with Philipp Reisner |
| https://doi.org/10.4000/volume.8641 | Présence et expérience du rap en public : banalité, trouble et disqualification morale |
| https://doi.org/10.7202/1014071ar | Luciano Berio. Entretiens avec Rossana Dalmonte. Traduits et présentés par Martin Kaltnenecker. Paris : Lattès, 1983, 188 pp. |
| https://doi.org/10.7202/1014077ar | John Rosselli. The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario. Cambridge: Cambridge University Press, 1984. viii, 214 pp. |
| https://doi.org/10.4000/books.apu.2271 | Avant-propos |
| https://doi.org/10.7202/1013822ar | Editorial |
| https://doi.org/10.7202/1014409ar | Palestrina: Missa Pape Marcelli, Missa Aeterna Christi Munera, Oxford Camerata, Jeremy Sumerly, conductor. NAXOS 8.550573, produced by Murray Khouri Byrd: Mass for Four Voices, Mass for Five Voices, Infelix ego, Oxford Camerata, Jeremy Sumerly, conductor. NAXOS 8.550574, produced by Murray Khouri Purcell: The Fairy Queen, The Scholars Baroque Ensemble. NAXOS 8.5506601, produced by Murray Khouri Handel: Messiah, The Scholars Baroque Ensemble. NAXOS 8.550667-68, produced by Murray Khouri |
| https://doi.org/10.7202/1013741ar | Éditorial |
| https://doi.org/10.7202/1013895ar | Journal |
| https://doi.org/10.7202/1015116ar | Editorial |
| https://doi.org/10.7202/1014223ar | Contributors |
| https://doi.org/10.7202/1013926ar | Editorial |
| https://doi.org/10.7202/1015119ar | Éditorial |
| https://doi.org/10.7202/1014082ar | Liminaire |
| https://doi.org/10.7202/1013892ar | Éditorial |
| https://doi.org/10.4000/transposition.1202 | Camilla Cavicchi, Marie-Alexis Colin et Philippe Vendrix (dir.), La musique en Picardie du XIVe au XVIIe siècle |
| https://doi.org/10.7202/1013730ar | Editorial |
| https://doi.org/10.7202/1013841ar | Patriquin: Hangman's Reel—Ballet (With Music for Fiddle and Piano). Jean Carignan, fiddle; Gilles Losier, piano; Orchestra of Les Grands Ballets Canadiens conducted by Vladimir Jelinek. McGill University Records 80010), produced by Donald Steven |
| https://doi.org/10.7202/1105865ar | From the Studio to the Stage: Bruno Mars, Liveness, and the Out-of-Tune Voice in “Locked Out of Heaven” (2012) |
| https://doi.org/10.1093/oxfordhb/9780197551554.013.33 | Victor Zuckerkandl’s Writings for the Mid-Century American Listener |
| https://doi.org/10.7202/1091838ar | Le rêve et la science : Henry Deutsch de la Meurthe, Icare et la musique aéronautique en France avant la Première Guerre mondiale |
| https://doi.org/10.7202/1091841ar | Littérature, musique et émotions : entre l’art des mots et l’art des sons. La mésomusique dans la prose fictionnelle d’Alfredo Bryce Echenique |
| https://doi.org/10.1002/alz.060981 | Determining whether sex and zygosity modulates the association between ApoE4 and psychosis in a neuropathologically‐confirmed Alzheimer’s disease cohort |
| https://doi.org/10.25071/1708-6701.33802 | Complete issue |
| https://doi.org/10.1016/j.jns.2023.121471 | Longitudinal effects of an autobiographically salient music listening intervention on functional connectivity, white matter microstructure, and memory in early-stage cognitive decline |
| https://doi.org/10.5962/p.343495 | Steller's Eider Photographed near Campbell River, British Columbia |
| https://doi.org/10.1093/oxfordhb/9780197612460.013.13 | Benefits of Community Singing for Cancer Patients, Survivors, and Caregivers |
| https://doi.org/10.47297/wspiedwsp2516-250040.20250903 | Inclusive Practices in Music Education: Exploring How to Foster Innovation in International Students from Diverse Beliefs and Cultural Backgrounds |
| https://doi.org/10.1093/oxfordhb/9780197612507.013.0011 | Dialectics of Freedom |
| https://doi.org/10.1371/journal.pmen.0000361 | Evaluating the Barcelona Music Reward Questionnaire and semantic differential profile scale for adults with major depressive disorder and suicidal ideation |
| https://doi.org/10.1007/s11357-025-01860-x | When Melodies Cue Memories: Electrophysiological Correlates of Autobiographically Salient Music Listening in Older Adults |
| https://doi.org/10.3390/brainsci15121299 | Nonverbal Communication Processing in Deaf Adults: An Activation Likelihood Estimation Meta-Analysis |
| https://doi.org/10.7202/1014079ar | Barry Truax. Sequence of Earlier Heaven. Cambridge Street Records CSR 8501 |
| https://doi.org/10.7202/1014075ar | Dérives, No 44-45, 1984, « Musique contemporaine au Québec », sous la direction de Marcelle Guertin, 156 pages ill., et un disque 33 t., 17 cm |
| https://doi.org/10.7202/1014398ar | The Canadian Society for Eighteenth-Century Studies / La société canadienne d’étude du dix-huitième siècle: Saskatoon, Saskatchewan, 13-16 October 1994 |
| https://doi.org/10.7202/1014937ar | Dane Rudhyar. La magie du Ton et l’art de la musique (1982), sans nom de traducteur. Rouffignac : Arista, 1985, 262 pp. |
| https://doi.org/10.7202/1014076ar | Jan W. Herlinger. The Lucidarium of Marchetto of Padua. Chicago: University of Chicago Press, 1985. xvi, 567 pp. |
| https://doi.org/10.7202/1013909ar | Ramón Pelinski. La Musique des Inuit du Caribou, cinq perspectives méthodologiques. Coll. Sémiologie et analyse musicales, Presses de l’Université de Montréal, 1981, 234 pp. |
| Mozart's Orchestral Cantabile Style: Eighteenth-century Origins of String Performance Practices | |
| How Gospel Pianists Learn Black Gospel Music: Developing Gospel Music Education in Postsecondary Institutions Beyond Choral Music | |
| The Hums: Feminist Listening and Gendered Affects in Music Production and Audio Engineering in Canada | |
| How Unpopular Musicians Live: Complex Leisure Careers in Toronto's Indie Scene | |
| Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819 | |
| Mindsets: Case Studies on Incremental and Entity Theories in Undergraduate Music Students | |
| The Urge to Vary: Schubert's Variation Practice from Schubertiades to Sonata Forms | |
| How Can I Keep From Singing? A Phenomenological Study of the Experiences of Ontarian Choral Music Educators During the COVID-19 Pandemic |