Publications in OpenAlex of which a co-author is affiliated to this organization
All publications | By field | By subfield
All publications [Next]
| Title | DOI |
|---|---|
| https://doi.org/10.1037/xge0001226 | Revisiting the association between self-reported empathy and behavioral assessments of social cognition. |
| https://doi.org/10.2307/3398855 | Bell Yung on Music of China |
| https://doi.org/10.4000/civilisations.5026 | Transnationalising Brazilian ritual music: Quimbanda in Argentina and Charismatic Catholicism in the USA |
| https://doi.org/10.1037/emo0001094 | Initial evidence for a relation between behaviorally assessed empathic accuracy and affect sharing for people and music. |
| https://doi.org/10.2307/767653 | Aspects of Bulgarian Musical Thought |
| https://doi.org/10.2307/3398781 | Christopher Waterman on Yoruba Music of Africa |
| https://doi.org/10.2307/3398809 | Terry E. Miller on Thai Music |
| Sacred Painting in Bali: Tradition in Transition | |
| https://doi.org/10.1556/smus.44.2003.1-2.11 | The Real Being of the Folk Song: Actual and Virtual Forms |
| https://doi.org/10.2307/3398759 | Bruno Nettl on Music of Iran |
| The Sámi People: Traditions in Transition | |
| https://doi.org/10.21504/amj.v5i2.1420 | Towards understanding the play of Atsimevu Atsiã |
| O estudo comparativo da mudança musical: Estudos de caso de quatro culturas | |
| https://doi.org/10.2307/3396269 | The sound of a bell: Aesthetics and world music |
| https://doi.org/10.2307/3398885 | Mellonee Burnim on African American Music |
| https://doi.org/10.5921/yeartradmusi.50.2018.0141 | Why Is Uncle Paintbrush so Funny? The Case of YouTube Translation of a Syrian Kurdish Wedding Song into Finnish |
| https://doi.org/10.4000/transposition.3077 | Aaron S. Allen & Kevin Dawe (eds.), Current Directions in Ecomusicology: Music, Culture, Nature |
| https://doi.org/10.2307/3398792 | David P. McAllester on Navajo Music |
| https://doi.org/10.1080/10588167.2012.701452 | The Ethnomusicology Archive, University of California, Los Angeles (UCLA) |
| https://doi.org/10.1080/10588167.2013.755455 | The Sound and Moving Image Collections at the British Library |
| https://doi.org/10.64628/aai.fkgcv9yvn | The everyday ethical challenges of self-driving cars |
| https://doi.org/10.2307/3394151 | World Musics in American Schools |
| https://doi.org/10.2307/3398831 | Anthony Seeger on Music of Amazonian Indians |
| Phenomenology of a Puppet Theater: Contemplations on the Art of Javanese Wayang Kulit | |
| https://doi.org/10.1080/10588167.2012.729491 | The Polish Music Center, Thornton School of Music, University of Southern California |
| https://doi.org/10.1080/10588167.2012.675846 | The Braun Research Library at the Southwest Museum of the American Indian |
| https://doi.org/10.1163/22134360-08803055 | Robert Wyndham Nicholls, The Jumbies’ Playing Ground: Old World Influences on Afro-Creole Masquerades in the Eastern Caribbean. Jackson: University Press of Mississippi, 2012. xx + 293 pp. (Cloth US$55.00) |
| https://doi.org/10.1111/j.1548-1360.2010.01085.x | The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema by Paul Henley |
| https://doi.org/10.1525/ac.1995.6.2.37 | Review Essay: Affecting Performance: Meaning, Movement, and Experience in Okiek Women's Initiation |
| https://doi.org/10.2307/3398869 | Steven Loza on Latino Music |
| https://doi.org/10.2298/muz2029015r | Vladimir R. Djordjevic’s contribution to Serbian musical folkloristics |
| https://doi.org/10.4000/samaj.8050 | Fawzia Afzal-Khan. Siren Song: Understanding Pakistan Through Its Women Singers |
| https://doi.org/10.51644/9781554581993-fm | Front Matter |
| https://doi.org/10.12794/metadc2048703 | Performing Translations: Rethinking Christian Wolff's Alternative Notation (1960-1968) in the Context of His Creative Communities |
| https://doi.org/10.31389/pop.178 | Eliminative Reasoning in Astronomy and Astrophysics |
| https://doi.org/10.1093/oxfordhb/9780190653866.013.0019 | Listening to Geographies of Responsibility in Post-3.11 Japan |
| https://doi.org/10.64628/aai.6uhy7dh9r | Why Harvey Weinstein can’t redeem himself through charity alone |
| https://doi.org/10.64628/aai.yr7c5a3yh | What Jeff Bezos gets wrong (and right) with his populist philanthropy |
| https://doi.org/10.64628/aai.phmyn793x | An ethical guide to responsible giving |
| https://doi.org/10.1080/17411912.2025.2560263 | Ethnomusicology, artificial intelligence, and the intimate work of connection |
| https://doi.org/10.1080/10588167.2025.2565860 | University of Louisiana at Lafayette, Center for Louisiana Studies Archives |
| https://doi.org/10.1080/10588167.2025.2565859 | Hazel Chung Hood |
| https://doi.org/10.30872/calls.v11i0.22990 | Digital-traditional knowledge convergence: How hybrid methodologies generate new forms of wisdom in ethnomusicological research |
| https://doi.org/10.7764/res.2025.57.11 | Escutar de novo: fontes musicais manuscritas da Biblioteca da Ajuda em edições fonográficas |
| Two Left Feet: A Study of Multispecies Musicality in British Women's Sport | |
| https://doi.org/10.20495/seas.6.3_551 | Rachmi Diyah Larasati. <i>The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia</i> |
| University Forum on Teaching & Learning (UFTL) | |
| https://doi.org/10.5281/zenodo.17084398 | Overtonic Pattern Notation Inside Cross-Cultural Feedback Loops |
| https://doi.org/10.5281/zenodo.17084397 | Overtonic Pattern Notation Inside Cross-Cultural Feedback Loops |