Publications in OpenAlex of which a co-author is affiliated to this organization
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| Title | DOI |
|---|---|
| https://doi.org/10.1190/tle43110726.1 | Evaluating distributed acoustic sensing for crosswell seismic surveys with helical and linear fibers using conventional P-, SH-, and SV-wave sources |
| https://doi.org/10.1097/01.iae.0000244291.09499.88 | THE PHOTOGRAPHIC SCREENING FOR RETINOPATHY OF PREMATURITY STUDY (PHOTO-ROP) |
| https://doi.org/10.1016/j.jcrs.2009.03.037 | Changes in rotation after implantation of a bag-in-the-lens intraocular lens |
| https://doi.org/10.1016/s0886-3350(96)80093-9 | In vitro bacterial adherence to hydrogel and poly(methyl methacrylate) intraocular lenses |
| https://doi.org/10.1162/octo_a_00425 | Sleeping in the Cinema |
| https://doi.org/10.1126/science.288.5474.2155 | Balancing the Collaboration Equation |
| https://doi.org/10.1080/13682199.2019.1600254 | The application of photography in investigating fraud |
| https://doi.org/10.1126/science.288.5474.2153 | Is AIDS in Africa a Distinct Disease? |
| https://doi.org/10.1126/science.288.5474.2168 | South Africa's New Enemy |
| https://doi.org/10.2113/gsjfr.26.3.187 | Saracenella mochrasensis sp. nov. (Foraminiferida), a regional biostratigraphic marker species for the upper Toarcian (Jurassic) of Europe |
| https://doi.org/10.2494/photopolymer.13.253 | Novel Visible Photosensitized Polymerization System. Squarylium Dye/Diaryliodonium Salt Combination. |
| https://doi.org/10.4000/coma.429 | Le patrimoine photographique malien et ses enjeux |
| https://doi.org/10.4000/angles.1225 | “Making the Art of Fun Freely Accessible”: Community Arts Practices and the Politics of Leisure in Britain in the 1970s and 1980s |
| https://doi.org/10.4000/developpementdurable.14200 | Le paysage comme outil de gouvernance pour un territoire métropolitain |
| https://doi.org/10.1162/octo_a_00199 | The Peripatetic Viewer at Heartfield's Film und Foto Exhibition Room |
| https://doi.org/10.1126/science.288.5474.2150 | Ground Zero: AIDS Research in Africa |
| https://doi.org/10.1111/j.1365-2133.1941.tb10505.x | "SKIN PENETRATION." |
| https://doi.org/10.2752/175145108784861446 | About Town: A Case Study from Research in Progress on Photographic Networks in Britain, 1952–1969 |
| https://doi.org/10.1126/science.288.5474.2160 | The Mother of All HIV Challenges |
| https://doi.org/10.1117/12.961017 | Pulsed Holographic Art Practice |
| https://doi.org/10.14236/ewic/eva2018.10 | An Alternative Method of Very Long-term Conservation of Digital Images and their Historical Context for The Archive, University College, Oxford |
| https://doi.org/10.2494/photopolymer.8.155 | Reinvestigation of photointiation mechanism and kinetics of aryl disulfides. |
| https://doi.org/10.2752/175145211x13068409556727 | Cecil Beaton and the Iconography of the House of Windsor |
| https://doi.org/10.1126/science.288.5474.2157 | Building a World-Class Lab From Scratch |
| https://doi.org/10.1126/science.288.5474.2163 | McIntyre and Gray Have a Will and a Way |
| https://doi.org/10.4000/danse.335 | Numéro d’objet de Mickaël Phelippeau |
| https://doi.org/10.1126/science.288.5474.2164 | Searching for the Epidemic's Origins |
| https://doi.org/10.4000/marges.795 | Une image de fatigue chez Marc Trivier |
| https://doi.org/10.22269/140203 | The Last Stand |
| https://doi.org/10.4000/rdlc.2172 | La photographie, déclencheur d'interaction en classe de langue : négociations entre apprenants |
| https://doi.org/10.3917/dec.bonne.2013.02.0207 | Jeunesses arabes |
| https://doi.org/10.4000/11r5a | Enquêtes photographiques en établissements fermés |
| https://doi.org/10.1515/9783110712902-004 | Photography of Papyri and Ostraca |
| https://doi.org/10.1098/rspa.1930.0079 | Photo-conductance phenomena in the silver halides, and the latent photographic image.―Introduction and Part I |
| https://doi.org/10.1111/j.1749-6632.1998.tb10375.x | Enhancement of Glucose Biosensor Response Ability by Addition of Hydrophobic Gold Nanoparticlesa |
| https://doi.org/10.1080/14786440708635939 | XIV. The fundamental law for the true photographic rendering of contrast |
| https://doi.org/10.1088/0950-7671/4/12/301 | A new photo-electric density meter |
| https://doi.org/10.1126/science.288.5474.2165 | Africa Boosts AIDS Vaccine R&D |
| https://doi.org/10.1126/science.288.5474.2170 | Confronting Conference Complexities |
| https://doi.org/10.1088/0950-7671/21/2/107 | Microphotography and photomicrography, and other terminological inexactitudes |
| https://doi.org/10.1038/121865a0 | The Mechanism of Formation of the Latent Photographic Image1 |
| https://doi.org/10.1038/120441a0 | The Mechanism of Formation of the Latent Photographic Image |
| https://doi.org/10.1126/science.288.5474.2169 | A Research Renaissance, South African Style |
| https://doi.org/10.1088/0950-7671/1/12/303 | A new selenium cell density meter |
| https://doi.org/10.1038/117083a0 | Measurement of Radiation Intensities by Photographic Methods |
| https://doi.org/10.1038/123679a0 | The Primary Process in the Formation of the Latent Photographic Image1 |
| https://doi.org/10.1111/j.1749-6632.1998.tb10346.x | Assembly and Folding of Glucose Oxidase at the Water‐Air Surfacea |
| https://doi.org/10.1080/00223638.1982.11738176 | The International Congress of Photographic Science at Cambridge 1982 |
| https://doi.org/10.1080/00223638.1988.11736982 | Photographs, Images or Artefacts? |
| https://doi.org/10.1038/152578a0 | APPOINTMENTS VACANT |
| https://doi.org/10.1136/bmj.2.5452.56 | Correction |
| https://doi.org/10.2494/photopolymer.4.139 | Photopolymer materials for holography. |
| https://doi.org/10.1126/science.288.5474.2162 | An Ambassador of Research |
| https://doi.org/10.2752/175145208x373824 | Impressed By Light: British Photographs from Paper Negatives, 1840–1860: Roger Taylor |
| https://doi.org/10.1126/science.288.5474.2161 | Preventing Infections With Today's Tools |
| https://doi.org/10.1016/b978-0-240-80740-9.50083-0 | The Pressure to Stay Current |
| https://doi.org/10.3917/lpm.005.0180 | Les gouttes de miel |
| https://doi.org/10.1126/science.288.5474.2158 | Restarting Rwanda's Research Engine |
| https://doi.org/10.1126/science.288.5474.2159 | The Risks--and Rewards--of War Zone Research |
| https://doi.org/10.1126/science.288.5474.2166 | A Native Son Comes Home to Help |
| Caroline Fieschi, Photographier les plantes au XIXe siècle. La photographie dans les livres de botanique | |
| https://doi.org/10.3917/lpm.004.0163 | Les trépassés du XXe siècle |
| https://doi.org/10.1080/10509208409361187 | Movement, color and sound in a ‘Darke Roome’ |
| https://doi.org/10.1080/00379819309511714 | The committee of national photographic collections |
| https://doi.org/10.2752/175145212x13330132507220 | Traces of Traces: An Exploration of the Albums of William McKinney |
| https://doi.org/10.1002/scj.4690240910 | Piecewise‐linear approximation of discontinuous contour images based on clustering procedure |
| https://doi.org/10.2752/175145213x13506588677401 | Birds in Flight |
| https://doi.org/10.1063/1.1707502 | Etymology of the Word Microradiograph |
| https://doi.org/10.1016/s0016-0032(38)91130-5 | A new mode of conducting the daguerreotype process |
| https://doi.org/10.1038/154365b0 | Importance of Film Records |
| https://doi.org/10.1039/tf9201600101 | Some problems in high power photomicrography |
| https://doi.org/10.2752/175145211x12992393431575 | Photography and Italy: Maria Antonella Pelizzari |
| https://doi.org/10.4000/marges.480 | Bettina Rheims et Serge Bramly, « Rose c’est Paris » |
| https://doi.org/10.1080/00223638.1961.11736787 | Towards the Ultinlate Speed in Photography |
| https://doi.org/10.4000/lha.618 | Photographies et monuments historiques : les fonds photographiques de la Médiathèque de l’architecture et du patrimoine |
| https://doi.org/10.4000/insitu.19662 | La terre et l’usine |
| https://doi.org/10.4000/books.purh.1245 | Lorrain et l’illustration par la photographie |
| La photographie à l’Inra, patrimoine sensible | |
| https://doi.org/10.3917/crii.090.0072 | Guerre et terre en Afghanistan |
| https://doi.org/10.3917/herm.espin.2017.01.0121 | La nuit en question(s) |
| https://doi.org/10.4000/interfaces.2733 | The Frustrating and Frustrated Edge: Thoughts on the format of my work |
| https://doi.org/10.4000/inmedia.2660 | Public Violence: Viral Images Give the Alert |
| https://doi.org/10.1080/00223638.1981.11738117 | Electrophotography |
| https://doi.org/10.1080/0005772x.1925.11095845 | THE ARENA: Letters to The Editor |
| https://doi.org/10.1038/155062a0 | Forthcoming Events |
| https://doi.org/10.4000/pds.8120 | Patrimoine photographique en Tarn-et-Garonne : récit d’une quête archivistique |
| https://doi.org/10.7765/9781526147820.00004 | List of figures |
| https://doi.org/10.1016/b978-0-240-80998-4.50033-5 | The Pressure to Stay Current |
| https://doi.org/10.1111/j.1365-2818.1920.tb06116.x | SOME PROBLEMS IN HIGH POWER PHOTOMICROGRAPHY |
| https://doi.org/10.5594/j00421 | Industry News & Educational Activities |
| https://doi.org/10.4000/critiquedart.23195 | Jan Dibbets : la Boîte de Pandore, une autre photographie |
| https://doi.org/10.3917/lpm.005.0189 | Les dionysiaques |
| https://doi.org/10.1016/0016-0032(53)91202-2 | A new mode of conducting the daguerreotype process |
| https://doi.org/10.1038/152578b0 | REPORTS and other PUBLICATIONS |
| https://doi.org/10.1080/00223638.1981.11738129 | Electrophotograpby |
| https://doi.org/10.1038/155062b0 | Appointments Vacant |
| https://doi.org/10.5594/j11757 | Committees of the Society: (Correct to August 10, 1948) |
| https://doi.org/10.5594/j00178 | Calendar |
| https://doi.org/10.1080/00223638.1981.11738137 | Electrophotography |
| https://doi.org/10.5594/j01982 | Calendar |